Seventeen-year-old Mary Katherine, or M.K., (Amanda Seyfried) moves in with her eccentric scientist father, Professor Bomba (Jason Sudeikis), who has been searching for tiny human soldiers called Leafmen. They protect the forest Bomba lives near from evil creatures called Boggans and their malevolent leader Mandrake (Christoph Waltz). An independent young soldier, Nod (Josh Hutcherson) decides to quit, much to the ire of the no-nonsense Leafmen leader Ronin (Colin Farrell).
The queen of the forest, Queen Tara (Beyoncé Knowles), must choose an heir to her throne and goes out to a field of leaf pods, guarded by a laid-back slug named Mub (Aziz Ansari) and a wannabe Leafman snail named Grub (Chris O'Dowd). Tara chooses the smallest pod as the heir. Immediately after she does so, the Boggans attack. Tara flees the area with the pod, and though her bodyguards do their best to protect her, they are soon overwhelmed by the sheer number of Boggans. Tara uses her magic to slow down her pursuers, and is at one point rescued by a flower child who idolizes her. Eventually, Ronin arrives for her and the pair fly off on Ronin's hummingbird mount. They are then attacked by Mandrake and his son Dagda (Blake Anderson). Dagda is killed by Ronin, but Tara is fatally wounded when Mandrake shoots her with an arrow.

EPIC (2013)

Songwriter Roger Radcliffe lives in a bachelor flat in London, England along with his dalmatian Pongo. Bored with bachelor life, Pongo decides to find a wife for Roger and a mate for himself. While watching various female dog-human pairs out the window, he spots the perfect couple, a woman named Anita and her female dalmatian, Perdita. He quickly gets Roger out of the house and drags him through the park to arrange a meeting. Pongo accidentally causes both Roger and Anita to fall into a pond, but it works out well as the couple falls in love. Both couples marry.

Later, Perdita gives birth to 15 puppies. One almost dies, but Roger is able to revive it by rubbing it in a towel. That same night, they are visited by Cruella De Vil, a wealthy and materialistic former schoolmate of Anita's. She offers to buy the entire litter for a large sum, but Roger says they are not for sale. Weeks later, she hires Jasper and Horace Badun to steal them. When Scotland Yard is unable to determine the thieves or find the puppies, Pongo and Perdita use the "Twilight Bark", normally a canine gossip line, to ask for help from the other dogs in London.

101 Dalmatians (1961)

Michael Corleone has succeeded in making his “family” a top force in Lake Tahoe, Nevada and he seeks to expand his empire to pre-revolutionary Cuba. Meanwhile, the early life of his father, Vito Corleone, is chronicled as he rises to power in the 1920s.

The first Godfather was ambitious. The second film in this legendary series is even more so. With Part II, director Coppola decides that a sequel to his Oscar Award-winning movie just isn’t enough. No. Instead he decides to make a sequel AND a prequel and turn them into the same movie. The film follows Michael Corleone after he has risen to power and moved his operations to Lake Tahoe. From there he must maneuver his way through a web of Mafia politics that include an old co-hort of his father’s, Hyman Roth, and his own brother. On top of this he also survives an attempt on his life, deals with betrayal, escapes Cuba during the revolution and even

The Godfather II (1974)

Broadly speaking, the first Godfather is a generic gangster film with arthouse trimmings and the second is an arthouse film with generic gangster trimmings, but both blockbusters encompass masterful American adaptations and appropriations of recent Italian cinema. The first and best sequence in the first film, built around a wedding, is indebted to the remarkable, protracted ball in Visconti’s The Leopard (1963) while the stylish, nostalgic handling of period décor in the second appears to owe something to Bertolucci’s The Comformist (1971); and both would of course be diminished considerably without the catchy music drawn from Fellini’s habitual composer. The outsized success of both Godfathers helped to mark the eclipse of foreign film distribution in the U.S. for the sake of glossy American art movies, a little bit before Woody Allen’s (and Martin Scorsese’s and Paul Schrader’s) mining of similar fields started to take hold.

I’m certainly not claiming that Godfathers I and II lack moral ambiguity and nuance and that cherished hits necessarily lack such qualities.

The Godfather 1 (1972)

In 1947, a banker named Andrew “Andy” Dufresne (Tim Robbins) is convicted of murdering his wife and her lover, based on strongcircumstantial evidence. He is sentenced to two consecutive life sentences at Shawshank State Penitentiary in Maine, run by Warden Samuel Norton (Bob Gunton). Andy is quickly befriended by Ellis Boyd “Red” Redding (Morgan Freeman), a fellow inmate serving a life sentence who has recently failed to gain parole. Andy finds Red has connections on the outside who can acquire contraband for the inmates, and first asks Red for a rock hammer in order to maintain his rock collection hobby, which he uses to fashion a home-made chess set. He later asks Red for a full-size poster of Rita Hayworth for his wall, replacing them over the years with ones of Marilyn Monroe and Raquel Welch.

During manual labor, Andy overhears Captain of the Guards Byron Hadley (Clancy Brown) complain about having to pay taxes on a forthcoming inheritance. Andy risks punishment by explaining to Hadley how to circumvent the taxes legally; Hadley accepts Andy’s advice

The Shawshank Redemption (1994)

 

“Battleship” is terrible by almost every standard used to measure the quality of a movie, but is it also ridiculously fucking entertaining. You can tell that this is director Peter Berg’s (“The Rundown”) chance to play with big boy toys—real life ships and giant robots from space—and you feel how giddy he is as he*takes each and every opportunity to live out a child’s dream on a grand scale. That glee runs throughout “Battleship”, and even as you groan about every questionable action and every line they give Liam Neeson in the film, it is infectious.
The most endearing thing about “Battleship” is that while it is one of the dumbest movies you’ll ever see outside of Saturday night on SyFy, it fully embraces that fact. Seriously, the catalyst for the entire plot is a microwave chicken burrito. No joke, that’s what jumpstarts the entire movie. Early on when Hopper (Channing Tatum lookalike Taylor Kitsch, “John Carter”) breaks into a convenience store to steal said chicken burrito for Sam (Brooklyn Decker), a girl he’s trying to pick up, and the them

Battleship (2012)

The Avengers (2012)

So how do you pose a threat to a demigod, a supersoldier, a man in an indestructible metal suit and a hulking green juggernaut? Well, you really can’t. But with a surplus of loud explosions, massive battles, and limitless CG effects you can feign the right amount of adventure to appease fans of such monumental clashes between good and evil. The Avengers keeps the concepts simple enough, but piles on so much mayhem it can become wearisome to those not previously invested in its subjects and willing to readily believe in the delirious events transpiring on screen. If you’re not cheering by the time our gang of superheroes takes down a giant mechanical space worm, you probably knew a long time ago this movie wasn’t for you.

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Karena terjadi kesalahan teknis, blog yang lama terhapus, oleh karena itu Blog Game Move Exlporer dibuat lagi dalam bentuk yang berbeda. semoga hal ini tidak mengecewakan para sahabat dan pemerhati.

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The Avengers (2012)