Seventeen-year-old Mary Katherine, or M.K., (Amanda Seyfried) moves in with her eccentric scientist father, Professor Bomba (Jason Sudeikis), who has been searching for tiny human soldiers called Leafmen. They protect the forest Bomba lives near from evil creatures called Boggans and their malevolent leader Mandrake (Christoph Waltz). An independent young soldier, Nod (Josh Hutcherson) decides to quit, much to the ire of the no-nonsense Leafmen leader Ronin (Colin Farrell).
The queen of the forest, Queen Tara (Beyoncé Knowles), must choose an heir to her throne and goes out to a field of leaf pods, guarded by a laid-back slug named Mub (Aziz Ansari) and a wannabe Leafman snail named Grub (Chris O'Dowd). Tara chooses the smallest pod as the heir. Immediately after she does so, the Boggans attack. Tara flees the area with the pod, and though her bodyguards do their best to protect her, they are soon overwhelmed by the sheer number of Boggans. Tara uses her magic to slow down her pursuers, and is at one point rescued by a flower child who idolizes her. Eventually, Ronin arrives for her and the pair fly off on Ronin's hummingbird mount. They are then attacked by Mandrake and his son Dagda (Blake Anderson). Dagda is killed by Ronin, but Tara is fatally wounded when Mandrake shoots her with an arrow.

EPIC (2013)

Songwriter Roger Radcliffe lives in a bachelor flat in London, England along with his dalmatian Pongo. Bored with bachelor life, Pongo decides to find a wife for Roger and a mate for himself. While watching various female dog-human pairs out the window, he spots the perfect couple, a woman named Anita and her female dalmatian, Perdita. He quickly gets Roger out of the house and drags him through the park to arrange a meeting. Pongo accidentally causes both Roger and Anita to fall into a pond, but it works out well as the couple falls in love. Both couples marry.

Later, Perdita gives birth to 15 puppies. One almost dies, but Roger is able to revive it by rubbing it in a towel. That same night, they are visited by Cruella De Vil, a wealthy and materialistic former schoolmate of Anita's. She offers to buy the entire litter for a large sum, but Roger says they are not for sale. Weeks later, she hires Jasper and Horace Badun to steal them. When Scotland Yard is unable to determine the thieves or find the puppies, Pongo and Perdita use the "Twilight Bark", normally a canine gossip line, to ask for help from the other dogs in London.

101 Dalmatians (1961)

Iranian activists storm the United States embassy in Tehran on November 4, 1979, in retaliation for President Jimmy Carter giving the Shah asylum in the U.S. during the Iranian Revolution. More than 50 of the embassy staff are taken as hostages, but six escape and hide in the home of the Canadian ambassador Ken Taylor. With the escapees' situation kept secret, the U.S. State Department begins to explore options for exfiltrating them from Iran. Tony Mendez, a U.S. Central Intelligence Agency exfiltration specialist is brought in for consultation. He criticizes the proposals, but is at a loss when it comes time to propose a rescue, as an alternative. While on the phone with his son, he is inspired by watching Battle for the Planet of the Apes and begins plans for creating a cover story for the escapees: that they are Canadian filmmakers who happened to be in Iran scouting exotic locations for a similar science-fiction film.

Mendez and his supervisor Jack O'Donnell contact John Chambers,

ARGO (2012)

Pulp Fiction is a very distinctive film about how 3 people get another chance. Even though contents are very vulgar, Tarantino makes the film very fascinating by complicating the order of the events. The film was nominated for the Best Film in Oscar, 1994. It had been the most successful Tarantino film until “Inglourious Basterds (2009)” came out.

Jules is a very cruel, cold character in the beginning. Even though he is very friendly and chatty to his partner or his boss, he acts just like his reputation as a professional gangster. He kills the target, who ran away with his boss’s soul, without any guilt. He just unloads his weapon when he feels he have to.

[Jules shoots the guy on the couch during Brett's interrogation]
Jules: Oh, I’m sorry, did I break your concentration?
However, Jules gets a second chance. He witnesses a miracle when the guy in the bathroom unloads hand cannon. The bullets don’t him at all. Jules gets astonished, however he gets faith

Pulp Fiction (1994)

Michael Corleone has succeeded in making his “family” a top force in Lake Tahoe, Nevada and he seeks to expand his empire to pre-revolutionary Cuba. Meanwhile, the early life of his father, Vito Corleone, is chronicled as he rises to power in the 1920s.

The first Godfather was ambitious. The second film in this legendary series is even more so. With Part II, director Coppola decides that a sequel to his Oscar Award-winning movie just isn’t enough. No. Instead he decides to make a sequel AND a prequel and turn them into the same movie. The film follows Michael Corleone after he has risen to power and moved his operations to Lake Tahoe. From there he must maneuver his way through a web of Mafia politics that include an old co-hort of his father’s, Hyman Roth, and his own brother. On top of this he also survives an attempt on his life, deals with betrayal, escapes Cuba during the revolution and even

The Godfather II (1974)

Broadly speaking, the first Godfather is a generic gangster film with arthouse trimmings and the second is an arthouse film with generic gangster trimmings, but both blockbusters encompass masterful American adaptations and appropriations of recent Italian cinema. The first and best sequence in the first film, built around a wedding, is indebted to the remarkable, protracted ball in Visconti’s The Leopard (1963) while the stylish, nostalgic handling of period décor in the second appears to owe something to Bertolucci’s The Comformist (1971); and both would of course be diminished considerably without the catchy music drawn from Fellini’s habitual composer. The outsized success of both Godfathers helped to mark the eclipse of foreign film distribution in the U.S. for the sake of glossy American art movies, a little bit before Woody Allen’s (and Martin Scorsese’s and Paul Schrader’s) mining of similar fields started to take hold.

I’m certainly not claiming that Godfathers I and II lack moral ambiguity and nuance and that cherished hits necessarily lack such qualities.

The Godfather 1 (1972)

In 1947, a banker named Andrew “Andy” Dufresne (Tim Robbins) is convicted of murdering his wife and her lover, based on strongcircumstantial evidence. He is sentenced to two consecutive life sentences at Shawshank State Penitentiary in Maine, run by Warden Samuel Norton (Bob Gunton). Andy is quickly befriended by Ellis Boyd “Red” Redding (Morgan Freeman), a fellow inmate serving a life sentence who has recently failed to gain parole. Andy finds Red has connections on the outside who can acquire contraband for the inmates, and first asks Red for a rock hammer in order to maintain his rock collection hobby, which he uses to fashion a home-made chess set. He later asks Red for a full-size poster of Rita Hayworth for his wall, replacing them over the years with ones of Marilyn Monroe and Raquel Welch.

During manual labor, Andy overhears Captain of the Guards Byron Hadley (Clancy Brown) complain about having to pay taxes on a forthcoming inheritance. Andy risks punishment by explaining to Hadley how to circumvent the taxes legally; Hadley accepts Andy’s advice

The Shawshank Redemption (1994)